In a perfectly designed garden, a city planned by experts or a well-organized playground, a pathway unexpectedly arises. A pedestrian first, then many -without prior coordination- challenged the layout that was offered to them. This spontaneous proposition of the collectivity is what the urban planners call "line of desire". Alejandro González has documented them with the insistence of a topographer, creating a sharply metaphorical work. On the other hand, Alom -approaching the concept from its poetic feeling- weaves possible paths using real characters.